Jenni Gregory’s spot

The digital home of cartoonist Jenni Gregory

May 14th, 2012

Had an awesome, wonderful, sweet Mother’s day!  the best husband in the universe got me stunning roses, the kids got me cards that broke my heart.  After spending the day at a water park, we got the kids tucked in to bed all nice an early. Rather then draw I piddled around cleaning my drafting table and rearranging my wacom and computer space. Grrrr.   You know…Avoidance mode!!

So it doesn’t matter how dirty the house is (apparently that isn’t going to get fixed until the kids are off to college) I have to learn to:

1.  get more organized
2.  it really IS easier buy clothes rather then do laundry (AND FOLD) and put them all away for a family of 5… so I surrender!
3.  It doesn’t matter how tired you are, all the other things around you’ve got to do…
Work on your art.
Just a bit a day.
My goal this year still 1 page a week, 16 pages an issue, 3 full issues a year. I….gotta draw a lot more.
So over my computer area, drafting table, screen saver on my phone and tablet is my Bruce Tim…
So off to doodle for a bit.
Oh, but I DID have to watch Game of Thrones!  We are addicted to this show!
I’ve not read ‘Dance with Dragons” — kinda got the same thing going on with this series as I do with the Potter series–I can’t read the last books.  It’s a quirk.
But Martin give one of the best character driven stories EVER.
Did you know it also makes a great drinking game?
thought not…read on!
May 4th, 2012

I see a bad moon a risin’…

AwEsomely fun day. Hung out at Ka-Blam , made with some comic book work, saw Avengers (LOVED IT!–NOTE: stay to the very, very end well past the traditional credits–just sayin’).
Snuggled w/ the family tonight– Pure BLISS!
Being the nerds and geeks we are on Saturday (May 5) at 11:35 p.m. EDT, the moon will officially turn full. And only 25 minutes later the moon will also arrive at perigee, its closest approach to Earth — a distance of 221,802 miles (356,955 kilometers) away.
In short–BIG moon, about 11:30 pm tomorrow night–it’ll look AWESOME!

 

 

March 11th, 2012

Seer update and another sneak peek…

Seer is almost done. Here’s a sneak peek at page 1


Poor Barry on top of his non-stop Ka-blam stuff, for the last couple of days my man has been coloring and lettering the book at a mad pace. I love him madly, and owe him big time.

March 7th, 2012

Seer #0 Cover is done!

And I love it!

March 5th, 2012

WonderCon and the debut of Seer looms ever closer!

We’re gearing up for our big family trip to California! I can’t wait to see my family and hang out with my sisters. We’re also getting ready for our first time showing at WonderCon with old and new books in tow!

Barry and I stayed up faaaaar too late working on Seer this weekend–the new project that’ll debut at Wondercon. We didn’t leave the house at all–and I don’t do confinement well. Seriously. I go nutz if I don’t get out of the house for at least a couple hours everyday.

So…2 days trapped in the house trying to get as much drawing done while 3 restless kids -who obviously have inherited my gene for not being able to stay in a confined place for more then a few hours -ran amuck.

The great news is I have 1 page left to finish drawing (fingers crossed tonight) and then the drawing part of Seer DONE! Barry is doing the awe inspiring coloring.
Want a sneak peak you say? Ok…page 1:

 

 

 

 

 

 

 

I’ll try to post the cover tonight and maybe another sneak peak page :O)

Other funny news:
Woohoo! DreamWalker #0 is currently in the $250+ book club!

 

Every once in a while something about the book pops up. I wish it was because of my mad skills, but no. The hike in price is due solely to the incredible talents of Eric Powell and his The Goon comic. Eric’s one of the most talented and coolest people I’ve ever met.

Anyway, if ya got a copy of the original Avatar book–yer a lucky duck and I envy ya!

http://www.bleedingcool.com/2012/03/04/hot-comics-the-two-hundred-dollar-club-march-2012/

I use give ‘em away at my table, or put these books on the free-bee tables at conventions. A few years ago after a storm, with a baby on the way desperately needing room, and being sick of having about 20 boxes of overstock from my self-publishing days in the garage–everything got thrown away. Good heavens do I love print on demand!

Back to drawin’!

February 22nd, 2012

A great post by Barry Gregory on Ka-Blam’s stand on Trademarks.

On Trademarks, etc.
Submitted by BarryGregory on February 22, 2012 – 4:27 pmNo Comment

Since we announced our new policy on trademarks in sketchbooks and art prints, etc. (actually a return to our original policy but I’ll get to that in a moment) a few days back there’s been a fair amount of buzz — some of it bordering on hysteria — regarding the decision. So let me clarify a few things …

First, we’re talking about a tiny portion of our business. The overwhelming majority of that which we print is original, creator-owned content. Second, yes, it was the Gary Friedrich vs. Marvel decision that sparked the thinking that eventually led to this decision. But the decision is about a lot more than the fear that Disney or Time Warner will suddenly decide to stop honoring the unwritten agreement that’s been in place for decades in the comic book world and come after us. Of course that’s a huge concern after the resolution of the Friedrich case. Another word for “one-off decision” or “unique situation” is precedent. The real reason behind this decision however is the realization on my part that the occasional printing of a sketchbook or art print that contained a corporate-owned character — unwritten agreement notwithstanding — was a direct violation of Ka-Blam’s mission.

For the first year or so of operation we steadfastly turned down every job — regardless of size — that contained any unlicensed use of a corporate trademark. Then at some point we allowed ourselves to be talked into doing it on a sketchbook produced by a high profile, working freelance. We had some trepidation at the time, but convinced ourselves that because we were doing it for someone who was regularly and routinely working on the depicted characters for the trademark owners that we’d be covered by the old “unwritten agreement”. But we soon realized that once we’d crossed that rubicon — once we’d made an exception to policy — then it would become harder and harder to turn down future jobs containing trademarked characters. Again, we fell back on the old “unwritten agreement” … as long as the material was limited and presently positively we rationalized that it was OK.

But it’s not OK. It’s a violation of the trademark and — more importantly to us — it’s a violation of our raison d’être.

We started Ka-Blam to serve the independent comics publisher. The independent press was once the most vital, most energetic, most innovative part of the comics publishing scene. By the early 2000s however years of bone-headed policies, particularly on the distribution side of the comics business, had marginalized the indy press. Most of the indy press was pushed out of the direct market altogether. In 2005 we formed Ka-Blam. Our plan — our hope — was to reinvigorate the independent press by providing them not only with a low cost printing solution, but to use emerging technology to create a new market for their stories. We’re not there yet. But after six years, eleven thousand customers, and a hundred thousand plus orders we’re on the way.

This new policy is actually a return to our original policy, a re-commitment to our mission of serving the needs of independent publishers producing original content. Let me be clear — Ka-Blam is not — and never was — a printing company. Ka-Blam is a comics company. Digital printing is the bulk of what we do, but it’s a means to an end. Comics are our mission. Comics are our purpose.

Everyone who’s ever walked the artist alley of a comics convention has seen no shortage of prints of Spiderman legs and arms akimbo web-slinging his way through New York or of Batman brooding on a Gotham rooftop. And while those pinups might look cool — I mean, who doesn’t love Spiderman or Batman, right? — they’re not as cool as a new comic created by someone with passion and commitment to telling their own new original stories. So if you’re the guy who only wants to draw those cool pictures of Spiderman and Batman, then there’s no shortage of places to get your prints. But if you’re that creator with passion and commitment to your own comics and your own stories, then Ka-Blam is the place for you.

Barry Gregory
Ka-Blam

February 20th, 2012

California here we come!! WONDERCON 2012!

We get to go to our first major convention WITH a new series launching for the first time in years!

I’m very happy to announce that Barry and I will be attending WonderCon March 16-18!! My Mom and sisters live in So Cal, so I get to combine time with family, our kids spring break, and the launch of a new series!

More details to come on it. But here’s a sneak peek at the cover:

Its been kinda fun designing characters n such. I’ve missed that bit.

Yes, we’ll have DreamWalker books, Dark Mischief books, and art. Always we’re there representing Ka-Blam, IndyPlanet and IndyPlanet Digital, so hopefully a lot of folks will stop by asking about all that!

I’ve missed doing shows. Hopefully I’ll remember how it’s all done.

November 21st, 2011

Grab a heapin’ helping of Dark Mischief!!

IndyPlanet URL: http://www.indyplanet.com/index.php?id=6333

It is with great pleasure I get to let you know that Dark Mischief Vol 1 is now available for purchase at IndyPlanet.com

http://www.indyplanet.com/store/product_info.php?products_id=6333
Dark Mischief Vol 1 is a full color collection of the spooky and supernatural, featuring stories and art by some of the best creators in independent comics!

Dark Mischief Vol 1 is a full color collection of the spooky and supernatural, featuring stories and art by some of the best creators in independent comics!

Stories include “Green Light” by Mitch Byrd, “Black Rooster” by Thomas Hall and AP. Furtado, “Welcome to My Nightmare” by Dirk Manning”, “Zombie Bunny” by Dani Jones, “Pickman’s Model” an H.P. Lovecraft story adapted by Kim Holm, “I Dare You” by Sara Turner, “Womblees” and “Dark Mischief” by Jenni Gregory, “Two White Horses” by Samuel Kirkman, “Dead Charlie and Zombie Bob” by Kenny Durkin, “Mutie” by AP. Furtado, “Ghost Zero and the Radio Wraith” by Dave Flora, “Dos Paginas” by Kim Holm, “War” by Mark Rudolph, “Uncertainty” by Pam Harrison, “PSA” by Roy Duncan, “Keep Moving” by Thomas Florimonte, Jr., “Maledicta et Cimeteria” by Wayne Spencer, and “Flashlight” by Barry Gregory.

Go get yourself some!

September 29th, 2011

DreamWalker Press is please to announce: Dark Mischief — A Collection of the Frightful

I’m happy to announce my wanting to do a Halloween book is finally happening. YAY! I’ll be serving as the editor and a contributor as well to stories as well.  This is a dream project for me, something I’ve wanted to do for years now.  You see, I love comics and I love Halloween and I’ve always thought that every year around Halloween someone should publish a big collection of great spooky comics stories.  You know, fun stuff … monsters and zombies, ghosts and vampires.  Not necessarily light-hearted  (though that’s OK, too) but stories that are more … whimsical, more mischievous.   At some point I realized that the someone who should publish this collection was actually me.   This summer I got up the nerve to finally float the idea to a few fellow comics creators and to my great surprise not only did I get positive reactions — I got enthusiastic reactions!

So this Halloween will see the release of Dark Mischief  Volume One  featuring stories by Mitch Byrd (Starman, Predator, Starship Troopers), AP. Furtado (Heavy Metal), Dirk Manning (Nightmare World),  Thomas Hall (Robot 13), Dani Jones (My Sister the Freak), Dave Flora (Ghost Zero), Sara Turner (Ghosts of Pineville), Kim Holm, Mark Rudolph, Cayetano Garza, Sam Kirkman, Pam Harrison, Wayne Spencer, Kenny Durkin, Thomas Florimonte Jr, and more.

The collection will be edited by me — Jenni Gregory — with an assist by Barry Gregory, design by AP. Furtado, and a cover by Mitch Byrd.

The collection will be printed in full color at standard comics size — 6.625 x 10.25 — in both a softcover perfect-bound edition and a limited hardcover edition.  A digital download edition will also be available.

We’re fortunate in that we don’t need to generate funds for printing.  One of the benefits of owning a printing press is that printing costs aren’t really an obstacle for you.

So what’s the purpose of this campaign?  Simple … I’m hoping to raise some funds to pay advances to the artists and writers who have contributed to this project.  That’s it.  100% of all proceeds from this campaign (after paying for the rewards themselves) go directly to the creators who contributed stories as advances on their royalties.

We’re offering some great rewards — including a limited edition of the book available ONLY as a Kickstarter reward!   Take a look to your right and see for yourself!

So thanks for your attention and I hope you’ll consider pledging!

September 30th, 2009

DreamWalker O cover

I’ll be going to

Baltimore Comic Con

Oct 10-11th

My first solo con ever…so…be nice.  Without my computer to hide behind, I scare easy.

I’ll be there with books in tow

and stuff from

Ka-blam, IndyPlanet, and ComicsMonkey.